Peacemakers Trust posts news, reports or announcements of interest to people studying or working in the field of dispute resolution, conflict transformation and peacebuilding. Inclusion of an item on the media watch blog does not imply endorsement or agreement of Peacemakers Trust with views expressed by authors of posted items.
After weeks of anticipation, I finally had a chance to watch the premiere of Crossing Lines, the new NBC drama about a police unit that works for the International Criminal Court. As a police procedural, the show is not bad. William Fichtner is fantastic as always. Production values are extremely high. Bringing together detectives and investigators from a number of European states is a nice idea. And all the actors have nice accents.
But as a show about the ICC, Crossing Lines is an unmitigated disaster.
The problem, of course, is with the basic premise…
I was very curious to see how, if at all, the writers would get around the inconvenient fact that the ICC team will investigate crimes over which the Court has no jurisdiction. At first they just avoided the issue: after the newly-recruited Fichtner character points out that the ICC usually investigates war crimes and genocide, the leader of the team simply replies, “for now we’re going to try something…” He then changes the subject and explains that the team is comprised of the best and brightest detectives from various Western European states. (Africa’s worst nightmare!)
Turkey’s “standing man” protester, created by performance artist Erdem Gunduz, is a brilliant addition to the iconography of non-violence. It’s not a long list. The image catalogue of aggressive resistance is much longer. It includes the knight errant on his horse, with a lance; the lone rider in the old west; the private eye pacing the mean streets, taking down crime and corruption; the guerrilla fighter in the hills. They all pack weapons. Gunduz had only a backpack and when the cops checked inside, whatever they found was harmless.
Ever since news came out about Edward Snowden’s leak of secret National Security Agency surveillance programs, there have been both denunciations of Snowden and widespread expressions of support. Both the Obama administration and the technology companies entangled in the programs are under heightened scrutiny. But what does the leak mean for organizing? To find out, I asked a few questions of a pair of organizers developing plans to further a pro-democracy, pro-transparency agenda in the wake of these revelations.
Josh Levy is Internet campaign director at Free Press, where he advocates on behalf of consumer protection and open access. David Segal is executive director of Demand Progress, an advocacy organization he founded with the late Aaron Swartz.
While most of Turkey’s journalists were carefully avoiding mention of the tens of thousands of protesters who poured into the streets this week, in a show of deference to the government that enraged supporters of the demonstrations, the host of one Turkish game show found a way to raise the issue not once but 70 times during a broadcast on Monday night.
BELFAST, Northern Ireland — During the height of Northern Ireland’s Troubles, Devenny was shot while trying to rob a bank for the IRA. He was hit three times in the arm by an automatic rifle, and the doctors cut a single long incision to remove the bullets. He was then sentenced to eight years in prison for the attempted robbery. Since that chapter of his life, Devenny has worked as a designer for Republican publications and as a poster artist for Sinn Fein. Now, 40 years later, he is one of Northern Ireland’s most prolific muralists.
He has also been one of the most vocal critics of the Re-Imaging Communities project, a program by the Arts Council of Northern Ireland that supports communities across the region that want to tackle sectarianism in their neighborhood.
This amazing portrait of Naomi, Ruth and Orpah, painted by William Blake in 1795, captures perhaps the most dramatic women’s story in the entire Hebrew Bible. It is a story that is associated with the holiday of Shavuot because of the mention of the importance of the harvest for the story and for this ancient holiday. This is a book I urge everyone to read, and read about http://en.wikipedia.org/wiki/Book_of_Ruth
This is a tale the tragedy of drought, loss, death and homelessness, in other words the most common tale of forced emigration. But the story is unique in its description of undying devotion and selflessness and the unforgettable bond between two women suffering, and the heroic determination of Ruth to rebuild their lives.
What strikes me as important about their behavior and their relationship is how completely bereft it is of anger and violence toward others.
Amid the Western media’s obsessive search for a Palestinian Gandhi, many stories of peaceful, non-violent resistance are often overlooked. One such story is that of Budrus, a small West Bank village — dotted with ancient olive trees and cacti — lying very close to the Green Line (the internationally-recognized border separating Israel from the West Bank). In 2003, Budrus’ residents found out that Israel’s separation wall would swallow chunks of their land. It was then that the villagers decided to employ non-violent tactics to protect their trees and land.
By Anna Bressanin, producer. Camera by Ilya Shnitser
Arn Chorn-Pond was a child in Cambodia when the Khmer Rouge came to power in 1975. Born into a family of artists and musicians, he was sent to a children’s labour camp where he escaped death by playing his flute for the camp guards…
As a Cambodian-American, he considers the festival his personal answer to the US bombing of Cambodia. “The US bombed Cambodia,” he says. “I am carpeting New York with artists.”
BIRMINGHAM, Alabama — Arnetta Streeter Gary vividly remembers turning a corner in downtown Birmingham 50 years ago and being met by the force of water coming at her at an estimated 50 to 100 pounds per square inch.
“We had been taught that if they put the water hose on you, to sit down and cover your face so that the pressure of the water would not hurt your eyes,” said Gary, an Ullman High School student at the time. “If we balled up into balls, then the water would not hurt as much. But that was not so. I can remember us balling up, hugging together, and the water just washing us down the street.”
Gary was one of thousands of students from Birmingham’s elementary, middle, and high schools and nearby Miles College who participated in the May 1963 demonstrations. Called Demonstration Day, or D-Day, and later dubbed the Children’s Crusade, these marches led to concessions from the city’s white power structure.
The value of video games far surpasses fun for geeky guys in the basement, but the stereotype remains despite the cultural upheaval games have created, says a writing professor at the University of Victoria.
In fact, video games play an increasingly positive role in society, says David Leach, organizer of today’s Games Without Frontiers session at UVic’s Ideafest.
In the months leading up to the Rwandan genocide of 1994, the radio station Radio Television Libre des Mille Collines blanketed the country with anti-Tutsi propaganda, inciting its Hutu listeners to “exterminate the cockroaches.” During the genocide, the station took on an even more active role, reading out lists of people to be killed and their locations.
The role played by the station only became widely understood outside of Rwanda after the violence was over. Three of its former executives were eventually indicted by a U.N. tribunal for their part in the genocide, but what if the world had been monitoring Milles Collines before the killing started?
That’s the idea behind Hatebase, a new initiative from the Sentinel Project, a Canadian group that aims to use social media and other technology to identify early warning signals for ethnic conflict.
As a film, 5 Broken Cameras works on both an artistic and a political level. It’s a deeply personal film to Burnat in many ways, while also being a chronicle of the struggle of his village, Bilin, against Israel’s apartheid wall and policies of dispossession.
IN 2005 Emad Burnat was given a video camera to record the birth of his fourth son, Gibreel. It was while he dutifully chronicled the formative years of his son that Mr Burnat unexpectedly became the film-maker behind “Five Broken Cameras”, a sombre documentary about the struggle of his native West Bank village of Bil’in against Israel’s construction of the separation wall.
The film’s premiere in the Palestinian territories took place recently at the Ramallah Cultural Palace, a multimillion-dollar centre unmatched in its size and facilities in the territories. The audience featured mainly young Palestinians and foreign expatriates, a common mix in a city that has become the West Bank’s administrative capital.
A new study shows how children display more empathy if given pro-social media to watch or play. Parents can be encouraged to demand video games and other media that teach social skills.
To cool off a hot argument, sometimes it needs to be turned upside down. That may well happen in the national dispute over media violence if enough Americans heed a new study that reverses the terms of that debate.
The study, by researchers in Seattle and published Monday in the journal Pediatrics, found that young children who are encouraged to watch TV programs that depict kindness, respect, and cooperation are more likely to express those traits than kids who watch everyday TV fare that includes fictional violence.
Two other surprising results of the study are worth noting: Low-income boys, who tend to watch the most television, benefited the most in displaying empathy after watching nonviolent shows. And many of the parents who were guided on what kind of pro-social content to watch and how to avoid violent shows asked that such advice continue even after the study.
SEATTLE – Teaching parents to switch channels from violent shows to educational TV can improve preschoolers’ behaviour, even without getting them to watch less, a study found.
The results were modest and faded over time, but may hold promise for finding ways to help young children avoid aggressive, violent behaviour, the study authors and other doctors said.
“It’s not just about turning off the television. It’s about changing the channel. What children watch is as important as how much they watch,” said lead author Dr. Dimitri Christakis, a pediatrician and researcher at Seattle Children’s Research Institute.
The research was to be published online Monday by the journal Pediatrics.
I’ve noticed this strange thing about Twitter lately.
Followers, like viewers, expect me to be serious all the time and when I’m not they’re either surprised, horrified, or convinced it’s not really me (maybe that’s also because I’m not “verified,” however that happens).
Being “serious” comes with the territory of being a news person I guess. Because we deal with so many serious, often awful stories people are taken aback when they meet me and notice that I occasionally smile. I know when I’m on the public speaking circuit I can tell a mildly funny story and I suddenly see people rolling in the aisles. It’s not because I’m hilarious, it’s because they don’t expect anything funny from me.
And so, in some ways, the same goes for Twitter. Usually if I deal with something serious I’ll get reaction. Not a lot of it, but there almost always will be some. However if I deal with something lighter, the tweets, retweets and new follows come roaring in.
Case in point: I do an annual Christmas Eve shopping tweet-a-thon for two reasons – it’s fun and gives a few laughs, but it also finishes by saying “remember those less fortunate.” The “fun” part always seems to connect. This year added about 800 new followers in just a few hours.
So where am I going with this? Seems like a simple theory – fun is more popular than serious. Well, that was true until “Idle No More” came along.
Ryan McMahon is hunkered over his laptop in his home office in Winnipeg, a self-proclaimed “chubby Ojibway comic” with a soft spot for bacon — and a hunger for some sort of indigenous resurgence.
He tests his microphone levels, ready to record the latest show for his podcast “Red Man Laughing.”
Of course, the day’s subject is Idle No More. He’s got jokes all lined up, including a top 10 list entitled “Things you might have heard a mall Santa say during the round-dance revolution over Christmas.”
His trademark humour, though, quickly shifts to more serious discussion when he brings on two guests: a pair of university students involved in Idle No More, the aboriginal protest movement that has swept across Canada and is now popping up in the U.S. and elsewhere.